Yes, I admit this is a bit of a provocative statement, and sweeping, but I wanted to address an argument I was having with my Husband.
And why not use the internet? Nothing like airing your domestic disharmony in public!
This isn’t a new argument, we have been over it a few times and he’s just not seeing my point of view, even though it’s about writing and I’m a writer and he’s not! So I thought I would get the writing community to wade in on my end. Just in case there is any confusion here, I am a woman and it’s a given that I am always right 😉 Right?
To give some context for this, my husband is an extremely logical person…and I’m, ah, not. I mean I can be logical sometimes, but mostly I take leaps and jump from events to conclusions. I don’t want to get into the nuances of logic v emotion. But in short, I’m comfortable that there isn’t a ‘plan’ or even a ‘logical’ progression to the way a story plays out.
So what was this burning issue provoking domestic disharmony?
Well, it’s George R.R. Martin’s fault.
I’m really hoping most of you are at least familiar with GoT, but in case you are not…there is a character called ‘Hodor’ and all Hodor says for many seasons is ‘Hodor’, doesn’t matter what folks say to him, situation, stress levels or emotional state, all he says is ‘Hodor’. I think it is season five or six where we discover why this is.
My Husband: That is so amazing, George R.R Martin must have planned this from the start.
Me: I seriously doubt it.
Now, it’s quite possible he did plan it…I’m open to this option. Writers do plan stuff. I plan stuff, but it’s more of a fuzzy framework in which to play, and I change my mind as I go, and add bits, and I blatantly ignore said framework when a new, more interesting, idea pops up.
And I make connections to old seemingly insignificant details all the time.
It’s one of the reasons I think colorful, if somewhat inane details, are so important to a book, because they facilitate connections later down the track. I am always doing this, some minor detail I wrote right at the start will suddenly present itself as a plot twist. It’s part of the process and it’s the way writer’s brains work.
I’m sure someone has asked George R.R. Martin if Hodor was planned right from the start, and perhaps he was. My argument isn’t about whether or not Hodor would always ‘hold a door’ from the moment he arrived on the pages of that draft all those moons ago. But it is possible that he wasn’t, and it is my firm opinion that writers do take strange quirks and details and repurpose them later.
I would love to hear your thoughts on this.
Have you ever planned a major twist right from the very start?
Have you ever stumbled across a plot twist as you were writing, pulling in an early event or detail and repurposing it towards the end?
Happy reading and writing 🙂
…and for those who want the answer to the burning did he / didn’t he question.